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Thanks for the kind words. Actually, there are many influences on my work, Alvin, Peak, Rockwell, Sundblom and yes Struzan. Alvin and Struzan I'm honored to know personally and because they - and others - have been so influential in shaping the way entertainment posters are composed in general, its always good to look at what WORKS.
Don't forget, the client is also very influential in the way something is executed and for movie posters and they look for montages composed in the way Drew, Bob Peak, Richard Amsel or David Grove might have worked. I've loved working with montages since the early 70' - so its a compositional structure I'm very comfortable with. I've also studied the techniques of Michelangelo all the way through to Adam Hughes but in the end it was always important for me to find a path that I was comfortable with.
You have some terrific work in your gallery and I wish you well on this exciting road...
I've always felt there is not enough BR art out there. I appreciate you taking the time to comment...
I guess its partly because I was already out of school when they were released and also because - working for Lucasfilm - I end up painting Solo and Indy a LOT.
Your drawings are great and I appreciate those didactic "open source art".
"open source art"?? I'd never thought of it on those terms but its a prefect description.
Thanks again...